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Ann Quin on tape: Three’s auralities

Abstract:

This article attends to the aural dimensions of Ann Quin’s Three (1966). It argues that just as high modernist texts developed symbiotically with the emergent sound technologies of the late-nineteenth and early-twentieth centuries, so might Quin’s novel be read for its engagement with the tape recorder which rose to commercial prominence after 1945. Aiming to contextualize Quin’s writing on tape, the article considers the history and prehistory of the medium, as well as its appropriation by Q...

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Publication status:
Published
Peer review status:
Peer reviewed

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Institution:
University of Oxford
Division:
HUMS
Department:
English Faculty
Oxford college:
Harris Manchester College
Role:
Author
Publisher:
Taylor and Francis Publisher's website
Journal:
Women: A Cultural Review Journal website
Volume:
33
Issue:
1
Pages:
73-92
Publication date:
2022-03-21
Acceptance date:
2021-12-16
DOI:
EISSN:
1470-1367
ISSN:
0957-4042
Language:
English
Keywords:
Pubs id:
1225427
Local pid:
pubs:1225427
Deposit date:
2021-12-16

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