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Thesis

Scoring space in the open work and portfolio of original compositions

Abstract:

The central focus of this thesis is the elucidation and application of a new analytical framework, connecting existing discourses on sound, space, and place in late twentieth and early twenty-first century “open form” music, and sound installation art. It builds especially on Richard Sennett’s urban understanding of openness, which helps to generate a model for the analysis of musical open form beyond only the relationship between the performer and the score. At the same time, it explores the...

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Division:
HUMS
Department:
Music Faculty
Oxford college:
St Hilda's College
Role:
Author

Contributors

Role:
Supervisor
Division:
HUMS
Department:
Music Faculty
Role:
Supervisor
ORCID:
0000-0001-7544-8959
Type of award:
DPhil
Level of award:
Doctoral
Awarding institution:
University of Oxford
Language:
English
Keywords:
Subjects:
Deposit date:
2022-02-16

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